Physical Description [12] p. : ill. 23 Jun - 22 Jul 2018. Abdul Latiff Mohidin Muzium & Galeri USM. Within the Malay Archipelago, wood is a material employed for the most significant istana (palace) to the humble centong (rice ladle). Visit the From the Studio Latiff Mohidin Artsy page These measures of cultural civilisations continue to live and could be found in the Malay palaces of today.[14]. Title: Latiff Mohidin: "Langkawi" arca dinding: Author: Latiff Mohidin: Contributor: Muzium & Galeri USM. On their façade, drops of colours are dribbled with restraint, each overlapping the one before to eventually form a complete, constructed colour field environment. Watercolour on paper Only quieter and more calculated, the paint technique on Langkawi takes after the earlier Mindscape series. Saturday and Sunday: 10am to 5pm. 31.2 x 16.3 cm, To donate materials to our archive collection or if you'd like to make an appointment to see materials from our collection, contact our archivist at archivist@malaysiadesignarchive.org, We’re excited by both the support and potential of growing this collection into a significant resource that can be accessed and shared to create an open platform for collective critical engagement with visual culture. And while many in the folio were titled Langkawi followed by respective numbered sequence or subtitles, others carry concise titles such as Laut (sea), Rembang (high noon), Tanjung (promontory), Suria (sunshine) and Fajar (daybreak). Although Latiff has never made explicit theoretical statements on the context and conceptual resolve of Langkawi, it is not far-fetched to look beyond the formal, ‘western’ trappings of modern art should one be willing to study deeper into them. While most run flat and parallel to the wall they hung on, others curved in concave or convex from its side, while some others ‘distend’ and ‘rise’ at its center. It was not until 1986 that Langkawi was officially launched as a tourist destination, and in fact, the first flight into Langkawi was made by a propeller driven Malaysian Airlines Fokker F27 on 4 December 1986 [13]. 50460 Kuala Lumpur, Abdul Latiff Mohidin – Langkawi. Latiff Mohidin at Langkawi 1976 - 1980 exhibition artist talk, 2017. Abdul Latiff Mohidin or simply Latiff Mohidin (born 1941) is a Malaysian modernist painter, sculptor and poet. And when he began to compose poems in the first decade of Malaysian independence, unlike most others, he resisted the pressures of political, post-colonial and western dialectics. In the animistic Langkasuka period for example, there exist a style of woodcarving known as Kelopak Dewa (God’s Petals) inspired primarily by elements such as earth, air, water and fire. 2nd Floor, Lot. Early life. Upon encounter, they often remind many of commonly found local articles such as the Malay sampan (small wooden boat), beras (rice grain), nisan (tombstones), jendela (windows) and perisai (shields). Taking on the roles of carpenter and painter, all of them were formed wholly by Latiff himself. 50480 Kuala Lumpur, http://www.jkkn.gov.my/en/national-culture-policy. KUALA LUMPUR: It is often a challenge to put a value to art, but artists such as Abdul Latiff Mohidin have proven that Malaysian artworks are able to fetch high prices. Malaysia. As a painter, Latiff has redefined Malaysian visual arts with series such as “Pago-Pago”, “Mindscape” and “Langkawi”. In Latiff’s hands, nature dominate and transcend the corporeal into the spiritual with an absolute, mystic frequency. KUALA LUMPUR: It is often a challenge to put a value to art, but artists such as Abdul Latiff Mohidin have proven that Malaysian artworks are able to fetch high prices. Latiff Mohidin was born in Seremban, Malaysia in 1941. [15] This basic shape and its accompanying notion applies to all other polygonal based designs including divisions of the circle such as the semi-circle or dome, a key component of every Langkawi sculpture. Latiff Mohidin. Jalan Rotan, Kampung Attap, First was the ‘formative period’, followed by the ‘meditative period’ and ‘gestural period’. The Mekong gave us Latiff’s pivotal Pago-Pago paintings and an unconventional Malay voice with the publication of Sungai Mekong (1972) (Mekong River) anthology. His artworks have been exhibited worldwide in over 30 solo exhibitions, including in Berlin, New York, London, Osaka, Sydney and Sao Paulo. It was even rumoured that Langkawi was inspired by the grains of sand from its beach, of how a single grain of sand could speak of our mortal existence. Muzium & Galeri USM, 1979 - 12 pages. Latiff exhibited his Pago-Pago series at Centre Pompidou, Paris in early 2018. 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